Spunk records

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Spunk Records celebrates 20 years in and is celebrating with two concerts at Vivid. After cutting their teeth playing house parties and sleepy dive bars in Far North Queensland, The Middle East came to prominence after their self-released bedroom recordings The Recordings of The Middle East were serendipitously picked up by Spunk in After being re-released as a shorter E.

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Hundreds of industry members, punters and musicians assemble to see the next wave of acts perform live across several official and unofficial showcase performances. Weirdo Wasteland, in conjunction with photographer Jeff Andersen Jnr. Check out the chat and gallery below.

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The record merges styles seamlessly, slipping from country-flecked indie to pulsing new wave offspring while offering a bit of a buoy and ballast to listeners in need. When the drum patterns rise up, there are still a few melancholy slides that find their way into the mix and even the downbeat strummers still have an undeniable pop center. Its humble and human, warm and weary.

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This time around, two of our favourite Melbourne indie labels, the enigmatic Deaf Ambitions and the legendary Spunk Records, have curated a night of moonlight revelry with bands handpicked from their own nests. To get pumped from the night, Erin Felton from Deaf Ambitions and Aaron Curnow from Spunk have put together a killer party playlist of the favourite tunes from each respective label. Get your Friday gears in motion below. You must be logged in to post a comment.

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Good heavens — five years go by — what can one do? Dive, listener, knowing that your next hour will be filled with diversions aplenty: a wheeling circuit of sci-fi sea-shanties and cavalier ballads, narrated from parts unknown; a family of polysemic song-sets; a paranomasaic Liederkreis of harmonic sympathies and knotted hierarchies; a fanfare of brazen puns and martial lullabies, blazing in sorrow and horseplay and love, in turns symphonic and spare, joined by Mellotrons and Marxophones and Moogs, clavichords and celestas — and of course the harp, thrumming its threnodies of circadian invasions and avian irruptions and strange loops of Shepard-toned resonant-frequencies and something called goddamned Simulacreage…. The music speeds with dissociative dread over montaged cityscapes; it hoofs with delight among the collaged quotations and sepia-toned codices of Popular Song; it ambles its carefree citational course through the public domain and down into the dustier corners of municipal parks, to lionise infamous airmen and anonymous Dutch Masters, to mourn pearl divers and Poorwills, and to elegise the ineluctable tragedy of relativity — a tragedy of parochial time, anecdotal time, dubious time….

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Under the moniker Machine Translations, mild-mannered musical maven Greg Walker creates off-kilter, experimental folktronica soundscapes. Ladder has a spare, moody vibe and low baritone, while Throsby is a pioneer of the breathy vocal style that so often graces the airwaves of JJJ. Banter is definitely not a feature of enigmatic and earnest headliners The Middle East.

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By the mids, Spunk was bringing to Australia some of the most acclaimed and vital albums in the world. At a time when music blogs, carefully curated indie-rock soundtracks and internet hype cycles seemed to be fuelling music discovery faster than music sales were falling, Curnow was ahead of the game. It was one of the most exciting boom periods for new music fans since the grunge explosion — and the bands themselves got not only an Australian record deal but a relationship with the country, made personal via Curnow.

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As I looked out from the back of the full scout hall, it was clear my enthusiasm was shared by most of the audience, all sunburnt backs and tight-jeaned legs crossed. Her whimsy and mythology are matched by the similarly wondrous and quaint venue, dimly lit in rosey red tones, smattered with fairy lights. The place was completely hushed for her set, aside from when she announced they were going to play a brand new song, one that had never been played live before. Newsom plucked the harp with fervor and glee, filling the balmy night with just what it needed.

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Comments

  • Wilder 6 days ago

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  • Zion 20 days ago

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  • Alvaro 14 days ago

    Ginger little faggot doesn't deserve that bouncy castle.